Wednesday, August 8, 2007

Three Short Pieces

Trapt
Caught between in the net of a passion on death row and a distant devotee who I should be loaning my thoughts to, but this is something I forever knew that my grip should be loosened from these penetrated desires that cause this miniscule fire to rage within the restrictions of my capillaries, but this inflammatory appeal tends to heal as it flows through veins, through god-made lanes that maintain the traffic of life as it surges and creates urges to want to, but forgetting to remind you that possibilities are drenched with the libations of the impossible nature of the matter and that focus should be marked on the latter part of sentiments and the former that represents my reality. And so, this one takes the spotlight on my stage and with lights in focus and curtains drawn, I- the anxious patron applaud the performer's standing that he can still love me despite my demanding mentality.

To Zion we go
Wandering Israelite, cast into exile from some unfamiliar terrain with scorching suns and swollen rains and sweltering warmth and blistering cold, elements of this foreign land unknown, where seeds are sown in infertile soils and thorns choke and weeds destroy good intentions like widespread pretensions of false gods and pagan culture makes way for my exodus. Lost- from birth, no fault of my own, I seek to find back my home, over seas, over sands, the promised land- Alkebulan.

Streetlight called desire.
Jiving Jazz that adds a special touch to the soft light loaned by the lonesome lamppost that stately stands to guide travelers of the night, that reveals the passion of lovers daring to become lost in each other. The cool, breezy, air ever-moving and intruding on a congregation of dried leaves that scrape the pavements as they exit into the unknown. Of the weeping piano that sobs for lost lovers and the bass that somberly uncovers the grief of some bar-ridden victim, who allowed his emotions to trick him into its fatal folly, Coloured blue and verb-less lyrically, but still expresses this misfortune and anomaly.

Copyright 2006

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